Claiming Humanity in Stranger Things by Autumn Meyer

Stranger things have happened than authentic women existing on the TV screen, but I might have struggled to realize this until I watched, well, Stranger Things. And I’m not totally living under a rock. I watch a lot of TV – some of it provides moments where I’m proud to be female and some of it makes me cringe at how poorly my fellow women are portrayed. I grew up on TV and movies that didn’t try too hard to fight the system of masculine stereotypes of women. Shows like I Love Lucy or Green Acres – they were funny, had their good moments, but mostly they reminded me that women were irrational, overly emotional, and incapable of basic things like handling a budget or knowing that a pound cake doesn’t weigh just one pound.

Today, in contrast, I’ve watched a fair amount of shows that attempt to be progressive about their representation of women, with varying degrees of success. In high school, I devoured One Tree Hill (I’m team Peyton, in case you’re curious), and I remember things like Brooke starting her own business in high school, Karen Roe rocking her role as a single mother, and Peyton opening her own record label. It’s clear the show was trying and somewhat succeeding at empowering women to be their own agents. But in the moments of tragedy (the school shooting, when Peyton was drugged at a college party), the guys almost always came to the rescue of the helpless women. Now, I’m currently in the midst of the CW’s Riverdale, which can be commended for making women active, not damsels in distress. But I really struggle to take any progressive storylines seriously in theory, when in practice the women are perfectly made up, clad in skin tight clothing, and wearing high heels while doing the dirty work – which can be both objectifying and unrealistic.

Stranger Things is different, and I want to talk about why it inspires me to be a woman. Instead of being caricatures or one-dimensional objects that exist to be looked at or to embellish the plot, each woman is alive. Each woman is her own agent, not a mockery of typical female traits or some idealistic depiction of what men want, but a real, living portrayal of humanity. I’m not saying that the Stranger Things women aren’t cooler than your average Jane, but they aren’t so inhumanely awesome (maybe except Eleven) that a female audience can’t relate to them. They are flawed, natural, beautiful, and powerful. Continue reading “Claiming Humanity in Stranger Things by Autumn Meyer”

Isolation and Parental Attachment in Adolescence: Young Adult Fiction as a Window by Madison Glennie

While the existence of trauma for adults is a major topic of study and accepted as a true issue, adolescents deal with their trauma while enduring the reactions of a society that does not believe in the legitimacy of their feelings. Youth are “more likely to experience impairment than adults” from trauma, and without support from their parents or community, their trauma symptoms intensify.[1] The adolescent mind remains an important but often unacknowledged space, craving understanding. Young adult fiction provides an avenue to understand adolescent mindsets and critique parental behavior. Throughout young adult literature, adolescent narrators deal with trauma, prompting them to isolate from family, friends, and their community. Differing depictions of isolation emphasize nuances in adolescent experience where seclusion is a tool with varying outcomes. Texts, such as Laurie Halse Anderson’s Speak, showcase isolation’s role in adolescent trauma, magnifying youth’s unacknowledged complexities and adults’ complicity. Adults within young adult fiction and within reality need to be more cognizant of the struggles of adolescents, but these texts also demand that readers view isolating behaviors holistically, realizing the depth of young adult experience. Continue reading “Isolation and Parental Attachment in Adolescence: Young Adult Fiction as a Window by Madison Glennie”